Course Objectives
To understand the expression of music as art, to understand the historical flow of music culture, flow of music culture. To understand the positioning of art as a comprehensive science.
Rubric
| Ideal Level | Standard Level | Unacceptable Level |
Achievement 1
Music practice and expression | To understand the origin of music (structure, songwriter, intention of composer) and to think about how to express it. | To be able to play in concert while listening to the sounds and voices of the surrounding members | If there is no intention to participate in choral or ensemble practice |
Achievement 2
Appreciation and music culture | To be able to think about the relationship between the social background of the period or region and music culture | The ability to understand the characteristics of a piece of music by listening to it | When there is no intention to appreciate the work of art |
Assigned Department Objectives
Teaching Method
Outline:
Singing and chorus (which may be cancelled to prevent the spread of the novel coronavirus), instrumental music (playing recorder) or listening to music works.
Style:
Practice and appreciation
Preparatory learning : To review and prepare for the previous lecture before entering the class.
(Extra-class / Pre-class) Prepare for the contents of the class.
(Extra-class / Post-class) Review the contents of the class.
Notice:
You can prepare a normal notebook. (You don't need a musical score notebook.)
Characteristics of Class / Division in Learning
Course Plan
|
|
|
Theme |
Goals |
2nd Semester |
3rd Quarter |
1st |
Guidance |
How to conduct classes and art expression means to understand art music as a comprehensive science.
|
2nd |
European art songs |
He sings "Schubert" (Wild Rose) in its original language. Expressions that take advantage of the structure and characteristics of poetry
|
3rd |
Japanese songs (1) |
I will sing a two part chorus of my summer memories (Nakata Yoshinao). I will learn about musical expression by chorus.
|
4th |
Japanese songs (2) |
Singing Kojo-no-Tsuki (Rentaro TAKI) in a three part chorus. Learning musical expressions that make use of the thoughts of the lyrics writer
|
5th |
Baroque music |
Understanding the social background and musical style of the Baroque era based on J. S. Bach's organ music
|
6th |
Classical music |
Using Beethoven's Symphony No. 6 "The Countryside" as a theme, understanding the process by which music became popular culture
|
7th |
Foundation of instrumental music |
Analyze the structure and characteristics of music, consider the performance of the instruments used, and consider the articulation
|
8th |
Recorder Ensemble (1) |
Plays baroque music in a baroque style based on Metzger's Andantino
|
4th Quarter |
9th |
Recorder Ensemble (2) |
Learning how to use recorder in modern times through various music
|
10th |
Romantic music |
Learning how to incorporate ethnic materials into romantic music through chopin's Mazurkas (Op. 7-5)
|
11th |
Nationalistic music |
Through Tchaikovsky's nutcracker, students learn how music becomes increasingly popular culture.
|
12th |
Modern music |
Using debussy's "Sea" as a theme, learning about the process by which music blends with other arts
|
13th |
Modern music |
Learning about the process of making music for entertainment, such as jazz, and music for the arts, all of which are becoming less vocalized.
|
14th |
Music making |
Through the practice of free music, students learn that music is not only a creative art but also a regenerative art.
|
15th |
Final exam |
Exercise Announcement
|
16th |
Folk music |
Learning that ethnic music and culture are closely related to the geography, history, life and culture of the region
|
Evaluation Method and Weight (%)
| Examination | Presentation | Mutual Evaluations between students | Behavior | Portfolio | Other | Total |
Subtotal | 20 | 20 | 30 | 0 | 0 | 30 | 100 |
Basic Proficiency | 20 | 20 | 30 | 0 | 0 | 30 | 100 |
Specialized Proficiency | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Cross Area Proficiency | 0 | 0 | 0 | 0 | 0 | 0 | 0 |